xxxxxThe talented German composer Felix Mendelssohn was regarded highly throughout Europe, and especially in England. Whilst his music was generally classical in style, his lyrical expression and his choice of subject matter made him one of Europe’s first great romantic composers. He spent much of his career in Leipzig, helping to make it the music capital of Germany, but, as a brilliant pianist and conductor, he also travelled extensively on the continent and paid ten visits to England. A child prodigy, he wrote five symphonies, much organ and choral music, concertos for piano and violin, and the oratorios St. Paul and Elijah. Today he is best remembered for his incidental music, especially his Overture to a Midsummer Night’s Dream of 1826, and his Fingal’s Cave, completed in 1831. As a child, he met Goethe, and later in his career came to know Chopin and Weber and championed the works of Schubert and Schumann.
FELIX MENDELSSOHN 1809 -
(G3c, G4, W4, Va)
Acknowledgements
Mendelssohn: watercolour miniature by the British artist James Warren Childe (1780-
xxxxxThe German conductor and pianist Felix Mendelssohn was one of the most popular and acclaimed composers of the 19th century, particularly in England. Whilst his music in general had all the hallmarks of classicism -
xxxxxHe composed his overture to Shakespeare’s comedy when he was only 17. He wrote to his sister Fanny in 1826 saying that he was going into the garden “today or tomorrow to dream there the Midsummer Night’s Dream”. It was first performed in Stettin the following year, but the remainder of the incidental music -
xxxxxMendelssohn was born in Hamburg, the son of a banker and the grandson of the Jewish philosopher Moses Mendelssohn. A child protégé, at the age of nine he gave his first public performance as a pianist at a chamber concert in Berlin, and he was producing his own compositions two years later. By 1825 he had written a piano quartet, an octet for strings, twelve symphonies for strings, and a short opera entitled Camacho’s Wedding, produced at his family’s expense. Some of these early works number among his finest. In later life he spent a considerable amount of time as a teacher, pianist and conductor -
xxxxxMendelssohn was initially music director for the city of Dusseldorf, but from 1835 until his death he conducted concerts in the Gewandhaus (Draper’s Hall) in Leipzig and, by the standards he set, made that city the musical capital of Germany. However, in between these duties and composing, he travelled extensively in Europe, performing as conductor or pianist. He made no less than ten trips to England where, in his later years, he was the favourite composer of Queen Victoria and Prince Albert, both of whom he met in 1843. He dedicated his Scottish symphony to the British monarch and, whilst on holiday in Scotland -
xxxxxIn the early 1840s he was appointed musical director to Frederick William IV of Prussia at Berlin, and it was at this time that he founded the Leipzig Conservatory. Opened in April 1843, this gained a worldwide reputation as a music school, and attracted many foreign students, including the future outstanding composers Edvard Grieg and Frederick Delius. He came to know Frédéric Chopin whilst in Leipzig and, as conductor of the Gewandaus orchestra, he gave first performances of works by Franz Schubert and Robert Schumann. Early in his career he also visited Weimar, where he met and became a friend of the ageing Goethe. The young composer dedicated one of his piano quartets to the famous writer, and played him pieces by Bach and Mozart. Also among his acquaintances was the German romantic composer Carl Maria von Weber whom he met in the 1820s.
xxxxxBy the mid-
xxxxxIncidentally, Mendelssohn played an important part in reviving interest in the music of Johann Sebastian Bach. On Good Friday 1829 he conducted a performance of his St. Matthew Passion, one hundred years after it was first performed, and for the first time since the German composer’s death in 1750. This did much to bring this particular work and his music in general to the notice of the public. ……
xxxxx…… It appears that the tradition of playing his “Wedding March” at bridal or recessional processions all began when the piece was played for the first time at the wedding of the Princess Royal (Victoria, eldest daughter of Queen Victoria) in 1858, long after Mendelssohn’s death. ……
xxxxx…… Mendelssohn married Cecile Jeanrenaud in 1837. The marriage was a happy one and they had five children, but when he died ten years later he was buried next to his sister Fanny in the churchyard of Holy Trinity in Berlin. The name “Bartholdy” is often added to his own name in memory of a wealthy uncle who passed his fortune on to the Mendelssohn family. ……
xxxxx…… As a conductor, Mendelssohn was one of the first to use a lightweight baton made of whalebone. The earliest known means of beating time goes back to the Sistine Chapel in the 15th century, when the conductor would often use a rolled up piece of paper. Later, in order to be heard above the noise of the orchestra, a heavy stick was employed. The French composer Jean Baptiste Lully, you might recall, used a hefty cane to beat the floor, but in 1687 hit his foot by mistake and died of the wound when it turned septic. Perhaps in memory of that event, when, on one occasion, Louis-
Including:
Carl Maria von Weber
G4-
xxxxxThe German composer Carl Maria von Weber (1786-
xxxxxThe German composer, pianist and conductor Carl Maria von Weber (1786-
xxxxxThe year 1821 saw the Berlin production of his most famous opera Der Freischütz (The Freeshooter), a work based on German folklore and ghost legend. This was an enormous success, and he followed it with the equally imaginative Euryanthe, produced in Vienna two years later. In this he broke with tradition, replacing spoken dialogue by words sung to music. These two operas created the German romantic opera, and it was on the strength of these works that Covent Garden Theatre in London commissioned an opera in English. He worked on Oberon -
xxxxxQuite apart from his three major operas, Weber wrote more than 250 compositions, and these included two symphonies, two piano concertos, two concertos for clarinet, two masses, and over 20 pieces for orchestra and solo instruments. And in addition to his quintet for clarinet, he wrote works for the violin, cello, flute, horn and bassoon, and composed numerous songs. Among his piano music, his descriptive piece Invitation to the Dance of 1819 has remained a long-
xxxxxIncidentally, Weber, who was a cousin to Mozart’s wife Constanze, had a great love of and feeling for music. At one time he wrote:
What love is to man, music is to the arts and mankind, for it is actually
love itself, the purest, the most ethereal language of the emotions. ……
xxxxx…… During a short stay in Munich he spent some time learning the art of lithography with the Austrian engraver Alois Senefelder, the inventor of this printing technique. With his assistance he printed out his set of Variations for the Pianoforte. Later, while working at Breslau, he accidentally drank some acid used in lithography. This mishap damaged his voice and almost cost him his life. ……
xxxxx…… After his death in June 1826, Weber’s remains lay in a temporary grave at Moorfields, London, for 18 years, but in 1844 they were removed and placed in the family vault in Dresden. Wagner raised the money to have the remains taken back to Germany, and he made a moving speech at the ceremony.
xxxxxWorthyxof mention at this time is the French composer of comic opera François Adrien Boieldieu (1775-